Review: The Echelon Effect – Field Recordings

It wasn’t so long ago that solo artists seemed to be restricted to singing and playing just one instrument at a time. Now thanks to advances in the production process, one performer making music on an epic scale is a regular occurrence  The Echelon Effect is a solo project from David Walters who – apart from some additional drum parts – played all the instruments on this multi-layered post rock album himself.

One can be forgiven for thinking that Walters is hellbent on achieving a Sigur Ros level of grandiosity. Much like its title, ‘Tracking Aeroplanes’ aims high; its pretty but portentous piano and swirling effects seem to be forever on the brink of turning into something huge and orchestral. However, the fact that it doesn’t explode is to Walter’s credit; meaning the track is elegant and grand rather than grandiose. The following ‘Antenna’ and ‘Call To Ground’ are undoubtedly more experimental and concentrate as much on manipulating samples as much as evoking the wonders of flight but they do provide a necessary feeling of space at centre of the EP. So by the time of the final two dreamy tracks, ‘Outer Marker’ and ‘The Brighter Star..’, the listener is ready to be uplifted again.

‘Field Recordings’ isn’t an album to set the world alight with its originality but its consistent theme and general cohesiveness means that it flows very well indeed. When one considers the positive aura it radiates and the strong melodies too, one can’t help but feel happier having heard the record.

Web Sites:
The Echelon Effect Official Site
Field Recordings Bandcamp Page

Further Listening:
Good Weather For An Airstrike, Sigur Ros, Hammock

2 Responses to “Review: The Echelon Effect – Field Recordings”

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