Full marks to Canada’s Nicholas Krgovich and his team for arousing interest. His latest album is said to be “experimental music masquerading as pop” in a similar vein to classic albums such as ‘Steve McQueen’, ‘Cupid & Psyche ’85’ and ‘Avalon’, as well as drawing comparisons to Donald Fagen. What’s not to love?
‘The Backlot’ is our introduction to some sumptuously arranged soul music, with female harmonies and brass and string parts that are engaging and never obtrusive. Thanks to their rolling keyboard motifs, refined production values and nocturnal atmosphere, ‘Along The PCH On Oscar Night’ and ‘City Of Night’ come across like Vancouver-based versions of The Blue Nile. Meanwhile, further highlights ‘Cosmic Vision’ and ‘You’re Through’ are inventively arranged and produced and given further gravitas by Krgovich’s smoother than smooth tones.
It’s probably no coincidence that ‘On Sunset’ was produced by John Collins who also has credits on past Destroyer releases; another act with a penchant for exquisite 80’s-flavoured productions. The ideas seem to fizzle out slightly towards the end of the record as the album settles into tasteful but unspectacular soul music but otherwise this is a classy affair which makes light of the weight of its impeccable influences.
Destroyer, The Blue Nile, Scritti Politti