Not traditionally known as a hotbed for exciting original music, Cornwall is now doing its bit to improve matters, at least where Kemper Norton is concerned. ‘Loor’ is the Cornish word for moon and you’d be forgiven for thinking that’s where it was recorded.
‘Howsled’ is certainly a bold way to start the album and – with its fragmented melodies, found sounds and unearthly atmosphere – it is more than likely to send experimental music novices running for the hills. Those who persist, however, will find much to sink their teeth into.
It is the vocal-led tracks which are the most rewarding initially. ‘Ostiasz’ frames what appears to a traditional folk song in a shroud of dark ambience and click-clack beats; the song gradually adding in new layers as it mutates into increasingly abstract territory. ‘All Through The Night’ applies a similar formula (not that this music is ever formulaic) but to even more chilling effect. With subsequent listens, the instrumental pieces begin to grow in stature. ‘Cravendale Round’ takes on an enigmatic shimmering beauty whilst ‘Cityport Of Traps’ embraces the joy of repetition with a hypnotic combination of looped vocals and bell rings.
Seven minutes of pulsing rhythms and drones on ‘Helston 91’ may be a tad too long but the album very rarely loses its ability to mesmerise. All told it’s another sterling, original release from the always inventive Front & Follow label.